Tag Archives: Hull

throwback #2

THE ANNIVERSARY (2007)

I’m posting this today, Thursday 30th April, because this would have been our opening night for FlatSpin. It is now many weeks since we stopped rehearsals and postponed the play to a future date. It means the only collective drama event for us this week will be our regular online Zoom -based Quiz Night.

Meanwhile, another delve into the archives from plays prior to our website presence. This week we take a look at THE ANNIVERSARY by Bill Macilwraith.

The Anniversary was produced by Richard Bateman in January 2007. It is a black comedy first performed in 1966 from which a film was made in 1968 starring Bette Davis and Sheila Hancock.

Synopsis: Mrs. Taggart is an emasculating woman whose husband, a successful building contractor, has been dead for ten years. Joining her for the traditional annual celebration of her wedding anniversary are her three sons: eldest Henry is a transvestite; middle son Terry is planning to emigrate to Canada with his shrewish wife Karen and their five children; and youngest Tom, a promiscuous philanderer whose many past relationships have ended at his mother’s insistence, arrives with his pregnant girlfriend Shirley in town. Throughout the day and evening, the domineering, evil, vindictive, manipulative matriarch does everything in her power to remind her children who controls the family finances and ultimately their futures.

Scroll through the gallery below to see a selection from the images from the production.

The cast L to R: Rachel Miller, Neil Martin, Janet Drewery, Steve Howland, Barbara Failey, Rob Newton.
The Production Team L to R: Dave Ralph, Gill Collins, Jayne Hewson, Richard Bateman (Producer), Dianne Turner.

Until the next one, stay safe folks.


throwback #1

THERE GOES THE BRIDE

In the first of an occasional series we thought we would bring you a dip into the archives. With an uncertain period ahead of us and no news to post since our current production was postponed, it seems a good time to remind everyone that the Petuaria Players has been around for fifty nine years and that this period is a temporary absence before we get into our Diamond Jubilee year.

Most of us are locked down and working (or chilling) at home so we have limited access to the archives. But there is sufficient material to take us back to this one: THERE GOES THE BRIDE by Ray Cooney and John Chapman.

There Goes The Bride was produced by Rob Newton fourteen years ago this month. Scroll through the gallery below and see what we were up to then, and if you saw the production, you may see some old faces – or rather some younger faces!

As a reminder of the plot: Timothy Westerby is overworked, underpaid, stressed-out, and his daughter is getting married in what he thinks is an overly-lavish and overly-expensive ceremony. Timothy is ripe for a nervous breakdown – and, on the morning of the wedding, he has one! It takes the form of ‘Polly’, the most gorgeous, voluptuous girl who just wants to give herself to Timothy – the pity is, she’s an apparition. The fact is, of course not apparent to Timothy who is convinced that Polly is totally real and is delighted to have this sexy guest at the wedding. Timothy’s wife, his mother-in-law, his daughter and the groom’s parents take a different view!

A few membership changes have occurred along the way. We then had Dave Ralph (sound and lights) and Tina Addington. Neil Martin was still to be a member for another year and it was my (Steve H.) first play with the PP. And Phil Johnson was still treading the boards back then too.

The cast: L to R. Jayne Hewson, Nic Johnson, Steve Howland, Wendy Elliott, Richard Bateman, Janet Drewery, Phil Johnson, Neil Martin.
The Production team L to R: Rob Newton (Producer), Dianne Turner, David Ralph, Gill Collins, Tina Addington.

Hope that raised a few smiles. Until the next one, stay safe folks.


Lockdown News

Next weekend would have been set build for our final play of the season but with the cancellation of our April production The Petuaria Players are, like everyone else, lying low.

What does it mean for the Petuaria Players?

It means that our summer period of rest has started prematurely and who knows how long it will continue. Technology and online interaction has replaced our meetings. This means that we can continue to communicate and arrange our play readings and discussions, something which will accelerate shortly. But it also means we can still do what we do best – socialise. Courtesy of Zoom and essential stocks of alcohol and nibbles we can meet more often than we did before! All without requiring a taxi home.

Boozy Quiz Night

What about next season?

Everyone knows that nobody knows. This strange world we are in will continue for some time to come and it is not hard to imagine that a degree of restrictions and behavioural recommendations will affect our drama plans to some extent. It’s too early to say.

The best we can do for the moment is hope that a degree of normality will return such that we can present a full programme for next season. To that end we have now secured an extension to our performance licence that would allow us to complete rehearsals for FlatSpin and make that the first play at the end of October if possible.

However, it is far too early to make positive plans but when we do know we will certainly announce it here.

Stay Home, Stay Safe

So in the meantime we will continue with our readings and Zoom meetings and a few posts on here. So stay home, stay safe and see you all soon.

Reviews for Say It With Flowers

On our opening night for Say It With Flowers we had Geoff Haywood in the audience who is a representative of NODA (National Operatic and Dramatic Organisation). Geoff came backstage after the play to meet and speak to the cast and was very complimentary and has subsequently sent us his review for the NODA website and we proudly show it below.

On the Saturday night not only did we have Jane Thornton herself in the audience but we also welcomed another member of NODA, Les Smith, Councillor (Chair) for the North East Region who also expressed his appreciation of the play.


A review of SAY IT WITH FLOWERS by Jane Thornton
By Geoff Haywood (NODA representative)
JANUARY 2020

The audience erupted into a spontaneous and prolonged applause when the curtains opened to reveal a quite magnificent outdoor set showing a patio, well kept lawn with a pond and several garden ornaments, a garden shed on stage right, entrance to the back of the premises on stage left and a gate DSL leading to the driveway and the front of the house. There was other tasteful décor to the set. What an opening to a show.
Stan, played by Rob Newton is an irascible sixty plus year old who has lost his job as a result of a speculative builder buying the village garage and putting houses on the site. He is obsessed with his garden, greenhouse and making model boats and does not pay much attention to his wife, Mavis (Dianne Turner) who in turn is more interested in being a member of the local drama group with her fellow thespians. Thus we have constant war of words between Stan and Mavis, he moaning that he gets very little help and his meals are not always ready and she, Mavis wanting her own freedom and time to express herself. These two characters were excellent throughout the production giving strong performances and keeping up the bickering and showing the pathos of a warring couple struggling to find their own true niche in life.
Enter Richard (Wyn Price ) and Vera (Barbara Failey) he a Guilgudesque character and she a somewhat coarse loudmouthed but well meaning woman. Both are members of the drama group but he is constantly quoting from past shows, reliving his parts, whilst she is more down to earth and shows a heart of gold underneath her brash exterior. These two are the perfect foils to Stan and Mavis with the emphasis on supporting Mavis against the penny-pinching Stan who will not even give away any of his precious plants of which at his own admission he has too many. Again we have two players acting with consummate ease and the scene in which Richard beaks down whilst recounting his love for his now dead boyfriend held the audience spellbound .
Living next door is Rio, beautifully and casually played by Wendy Fairburn. She is obviously a lover of the Goth way of dress in that she dresses in black and red with her long hair the same colours a white face with contrasting black eyebrows and blood red lipstick. Her role here is looking after the house and the constantly barking dog and coming into Stan’s beloved garden in search of her rabbit which escapes at frequent intervals. Stan makes her a rabbit hutch which she promptly sells. She is, however not all she appears to be and in spite of her spying on Stan from her upstairs bedroom window and telling tales she shows a different side to her character at the end of the play.
The drama group has to disband as they are refused a new season in the Church hall even though they have raised an average of £1000.00 per year for the last ten years for the Church. So what to do? They decide to enter the “Village in Bloom” competition. Some silly dancing class has taken over their rehearsal space.
With much enthusiasm, little knowledge of flowers etc the group press on often quite hilariously in preparing the garden for the competition with initially opposition from Stan but who on the end becomes as enthusiastic as the others.
The garden is transformed and they eagerly await the judging of their efforts. But who is the judge? None other than the Lady Mayoress who just happens to be the wife of the builder who put Stan out of a job and whose daughter runs the dancing class which resulted in the drama group being evicted from the Church Hall! Understandably words are exchanged or should one say insults are thrown from both sides. The Mayoress (Sue Hart) plays her cameo role quite exquisitely in the manner of Dolores Umbridge, from the Harry Potter series, simpering and refusing all methods of persuasion in refusing to award them any sort of prize.
The theatrical group go in search of another venue leaving Stan conspiring with Rio by making dog kennels in order that he can raise money to take Mavis to Italy to see their daughter.
Janet Drewery has directed this with a great understanding of a script which poses so many differences between the characters and the result is a truly professional performance.
The Props team must take a big accolade for their sterling work in providing such good ways of decorating the garden and showing much detail in their work, this together with a good lighting set and excellent sound effects added to the production