Throwback #4

PLAZA SUITE (2007)

We are well overdue for this fourth look back to some plays from the past. This time we are still in the year 2007. Gordon Brown had recently replaced Tony Blair as PM, it was the Northern Rock crisis and a foreshadow of the financial turmoil to come, and the ‘worst ever’ floods to hit our area – before the words ‘worst ever’ became the norm.

Yes, it is thirteen years since we performed Plaza Suite and what fun we had.

About ‘Plaza Suite’

Produced by Rob Newton this was our first play of the new 2007/8 season, performed in October.

Plaza Suite by Neil Simon – a comedy in three acts, performed in October 2007

Plaza Suite first appeared on Broadway in 1968 before being made into a movie in 1971 with that stalwart of many Neil Simon plays, Walter Matthau, as the star. It is a play in three acts but feels like three one act plays because it is about three different sets of guests staying in Suite 719 of the famous Plaza Hotel in New York. Whilst Walther Mathau played the three different males in the movie it was an ideal opportunity for us to cast more of our members across the production.

That said, it also meant that we had to double up and Rob despite his directorial role had to be on stage for a couple of short appearances along with Tina who appeared as a bride but was mostly busy backstage.

Following on from Bedroom Farce with its three bedrooms and three beds crammed onto the stage it was a comparative joy to have just the one bed and the spacious sumptuous suite we needed.

The cast L to R; Rachel Miller, Phil Johnson, Gill Collins, Rob Newton, Tina Addington, Richard Bateman, Janet Drewery, Steve Howland, Jayne Hewson

The first act, Visitor From Mamaroneck, introduces us to not-so-blissfully wedded couple Sam and Karen, who are revisiting their honeymoon suite in an attempt by Karen to bring the love back into their marriage. The arrival of his secretary creates issues…

Scroll through the following three short slideshows….

In Act Two, Visitor from Hollywood, is a meeting between movie producer Jesse Kiplinger and his old flame, suburban housewife Muriel Tate. Muriel – aware of his reputation as a smooth-talking ladies’ man – has come for nothing more than a chat between old friends, promising herself she will not stay too long. Jesse, however, has other plans in mind and repeatedly attempts to seduce her..

Neil Simon always includes one act that is more farcical and the bigger laughs are saved for  Visitor from Forest Hills. This revolves around married couple Roy and Norma Hubley on their daughter Mimsey’s wedding day. In a rush of nervousness, Mimsey has locked herself in the suite’s bathroom and refuses to leave.

Backstage crew: Back row from left; Rob Newton (Producer), Tina Addlington Nic Johnson. Front row from left; Diane Turner, Barbara Failey.
IT SEEMS UNFAIR THAT WHILST ROB SHOULD BE REMEMBERED AS THE PRODUCER OF THIS MEMORABLE PLAY THIS VISION OF HIM AS THE BELL-BOY IS FOREVER IN OUR MINDS…. AND POSTING THIS PHOTO WILL ENSURE THAT IT IS NEVER FORGOTTEN (SORRY ROB…. )

More throwbacks soon!


Throwback #3

BEDROOM FARCE (2007)

Is time flying by? In a period when you might expect it to be dragging it seems that the days are rushing past and the one week gap I planned between this post and the previous has become, apparently, an 18 day week.

Another case of time flying by is the thirteen years that have passed since we performed Alan Ayckbourn’s Bedroom Farce.

About ‘Bedroom Farce’

Produced by Janet Drewery this was our last play of the 2007 season, performed in early May.

Trevor and Susannah, whose marriage is on the rocks, inflict their miseries on their nearest and dearest: three couples whose own relationships are tenuous at best.

Typically, Ayckbourn’s titles are misleading – Bedrooms are certainly featured but it’s not really a farce, but a comedy that takes place sequentially in the three beleaguered couples’ bedrooms during one endless Saturday night of co-dependence and dysfunction; beds, tempers, and domestic order are ruffled, leading all the players to a hilariously touching epiphany.

Our sets are always challenging but creating three bedrooms with beds, at different levels, on that stage was a special demand, not just for building it but for sourcing three beds (and disposing / returning them afterwards) and for the actors having to move throughout the play between the bedrooms. Even at dress rehearsal actors were heard to be shouting “Excuse me, just which bedroom am I supposed to be in at the moment please?” Although perhaps the true quotation was somewhat more blunt and explicit at the time.

The cast; ; Back row L to R, Rob Newton, Dianne Turner, Richard Bateman, Wendy Elliot
In bed: L to R Phil Johnson, Jayne Hewson, Gill Collins, Steve Howland.

Our dress rehearsal photos were not as well served in those days for some reason only a few non-digital prints were taken – but here they are – please scroll through the gallery.

As with most plays, not everything went to plan, although the audience is (usually) unaware. This play remains in our memory for the broken finger incident. On the first night Jayne tripped and fell over a stage prop on the very condensed stage. The result, not immediately obvious other than the blinding pain, was a broken finger. This misfortune made it somewhat difficult for her to do the quick costume change backstage and even harder to carry out a comedy scene where she was undressed in bed and was supposed to put on a dress whilst under the covers. Working with one hand she managed to put the dress on – back to front – a longer than expected scene as she agonisingly corrected the problem while the Producer wondered what was happening as, to the audience, the bed took on the appearance of a sack of ferrets having a fight.

Most of the cast were very concerned about her while I, in my usual state of self-absorbed oblivion back stage between scenes, somehow remained ignorant of the situation, even to the extent that when she stepped briefly into the wings, pale faced and in anguish, lifted her hand with her little finger twisted in an unnatural position and mouthed (so she told me later) “it’s definitely broken” I simply grinned and gave her a thumbs up and mouthed ‘Great!”

My apparent lack of empathy and social awareness on that day remains a talking point, and my intuitive lip reading ability is still non-existent.

With her fingers bound after an A&E visit, she was able to perform the following nights, albeit with difficulty in those awkward on stage scenes. Well, as they say – “the show must…..” – you know the rest.

Backstage crew: Rachel Miller, Janet Drewery (Producer), Barbara Failey, Tina Addington, Dave Ralph and Bernard Reuben (in front)

More reminiscences and a dive into the archives in our next post!


throwback #2

THE ANNIVERSARY (2007)

I’m posting this today, Thursday 30th April, because this would have been our opening night for FlatSpin. It is now many weeks since we stopped rehearsals and postponed the play to a future date. It means the only collective drama event for us this week will be our regular online Zoom -based Quiz Night.

Meanwhile, another delve into the archives from plays prior to our website presence. This week we take a look at THE ANNIVERSARY by Bill Macilwraith.

The Anniversary was produced by Richard Bateman in January 2007. It is a black comedy first performed in 1966 from which a film was made in 1968 starring Bette Davis and Sheila Hancock.

Synopsis: Mrs. Taggart is an emasculating woman whose husband, a successful building contractor, has been dead for ten years. Joining her for the traditional annual celebration of her wedding anniversary are her three sons: eldest Henry is a transvestite; middle son Terry is planning to emigrate to Canada with his shrewish wife Karen and their five children; and youngest Tom, a promiscuous philanderer whose many past relationships have ended at his mother’s insistence, arrives with his pregnant girlfriend Shirley in town. Throughout the day and evening, the domineering, evil, vindictive, manipulative matriarch does everything in her power to remind her children who controls the family finances and ultimately their futures.

Scroll through the gallery below to see a selection from the images from the production.

The cast L to R: Rachel Miller, Neil Martin, Janet Drewery, Steve Howland, Barbara Failey, Rob Newton.
The Production Team L to R: Dave Ralph, Gill Collins, Jayne Hewson, Richard Bateman (Producer), Dianne Turner.

Until the next one, stay safe folks.


throwback #1

THERE GOES THE BRIDE

In the first of an occasional series we thought we would bring you a dip into the archives. With an uncertain period ahead of us and no news to post since our current production was postponed, it seems a good time to remind everyone that the Petuaria Players has been around for fifty nine years and that this period is a temporary absence before we get into our Diamond Jubilee year.

Most of us are locked down and working (or chilling) at home so we have limited access to the archives. But there is sufficient material to take us back to this one: THERE GOES THE BRIDE by Ray Cooney and John Chapman.

There Goes The Bride was produced by Rob Newton fourteen years ago this month. Scroll through the gallery below and see what we were up to then, and if you saw the production, you may see some old faces – or rather some younger faces!

As a reminder of the plot: Timothy Westerby is overworked, underpaid, stressed-out, and his daughter is getting married in what he thinks is an overly-lavish and overly-expensive ceremony. Timothy is ripe for a nervous breakdown – and, on the morning of the wedding, he has one! It takes the form of ‘Polly’, the most gorgeous, voluptuous girl who just wants to give herself to Timothy – the pity is, she’s an apparition. The fact is, of course not apparent to Timothy who is convinced that Polly is totally real and is delighted to have this sexy guest at the wedding. Timothy’s wife, his mother-in-law, his daughter and the groom’s parents take a different view!

A few membership changes have occurred along the way. We then had Dave Ralph (sound and lights) and Tina Addington. Neil Martin was still to be a member for another year and it was my (Steve H.) first play with the PP. And Phil Johnson was still treading the boards back then too.

The cast: L to R. Jayne Hewson, Nic Johnson, Steve Howland, Wendy Elliott, Richard Bateman, Janet Drewery, Phil Johnson, Neil Martin.
The Production team L to R: Rob Newton (Producer), Dianne Turner, David Ralph, Gill Collins, Tina Addington.

Hope that raised a few smiles. Until the next one, stay safe folks.


Your local AmDram – Brough & Elloughton's Amateur Dramatic Society

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